Velo(city)/ Interactive Percussion

What is the relationship between audio, visuals and force-driven intervention?

For my honours project, I reimagined percussion as a user interface to manipulate artefacts within a creative coding context. Over the year, I produced a body of work consisting of experiments within this framework.

This included interactive experiences influenced by the early pioneers of musical visualisation such as Oskar Fischinger, exploring forces of nature and the use of percussive to interrogate narrative systems.